A range of clouds intersects it half–way from the top; and overhead appears another mountain, enormous, quite green, which hollows out the valley unevenly, having on its summit, in a wood of laurels, a palace of bronze, with tiles of gold and ivory capitals.
In the midst of the peristyle, upon a throne, Jupiter, colossal, and with a naked torso, holds victory in one hand, and the thunderbolt in the other; and his eagle, between his legs, erects its head.
Juno, close to him, rolls her great eyes, surmounted by a diadem, from which escapes, like a vapour, a veil floating in the wind.
Behind, Minerva, standing on a pedestal, leans upon her spear. The Gorgon's skin covers her breast, and a linen peplum descends in regular folds even to her toe–nails. Her grey eyes, which shine beneath her vizor, gaze intently into the distance.
At the right of the palace the aged Neptune is riding on a dolphin beating with its fins a vast expanse of azure, which is the sky or the sea, for the perspective of the ocean prolongs the blue ether; the two elements become mingled in one.
On the other side, Pluto, fierce, in a mantle black as night, with a tiara of diamonds and a sceptre of ebony, is in the midst of an isle enclosed by the windings of the Styx;—and this ghostly stream rushes into the darkness, which forms under the cliff a great black gap, a shapeless abyss.
Mars, clad in bronze, brandishes, with an air of fury, his huge sword and shield.
Hercules, standing lower, gazes up at him, leaning on his club.
Apollo, with radiant face, is driving, with his right arm extended, four white horses at a gallop; and Ceres, in a chariot drawn by oxen, is advancing towards him with a sickle in her hand.
Bacchus goes before her on a very low car slowly drawn along by lynxes. Erect, beardless, with vine–branches over his forehead, he passes, holding a goblet from which wine is flowing. Silenus, at his side, is dangling upon an ass. Pan, with pointed ears, is blowing his pipe; the Mimallones beat drums; Mænads scatter flowers; the Bacchantes throw back their heads with hair dishevelled.
Diana, with her tunic tucked up, sets out from the wood with her nymphs.
At the bottom of a cavern, Vulcan is hammering the iron between the Cabiri; here and there, the old river–gods, resting upon green stones, water their urns; and the Muses, standing up, are singing in the dales.
The Hours, of equal height, hold each other by the hand; and Mercury is placed in a slanting posture, upon a rainbow, with his magic wand, his winged sandals and his broad–brimmed hat.
But at the top of the staircase of the gods, amid clouds soft as feathers, whose folds as they wind around let fall roses, Venus Anadyomene is gazing at her image in a mirror; her pupils cast languishing glances underneath her rather heavy eyelashes. She has long, fair tresses, which spread out over her shoulders, her dainty breasts, her slender figure, her hips widening like the curves of a lyre, her two rounded thighs, the dimples around her knees, and her delicate feet. Not far from her mouth a butterfly is fluttering. The splendour of her body sheds around her a halo of brilliant mother–of–pearl; and all the rest of Olympus is bathed in a rosy dawn, which, by insensible degrees, reaches the heights of the azure sky.
Antony—"Ah! my bosom dilates. A joy, which I cannot analyse, descends into the depths of my soul. How beautiful it is! how beautiful it is!"
Hilarion—"They stooped down from the height of the clouds to direct the swords. You might meet them on the roadsides. You kept them in your home; and this familiarity made life divine.
"Her only aim was to be free and beautiful. Her ample robes rendered her movements more graceful. The orator's voice, exercised beside the sea, struck the marble porticoes in unison with the sonorous waves. The stripling, rubbed with oil, wrestled, quite naked, in the full light of day. The most religious action was to expose pure forms.
"Those men, too, respected spouses, the aged and suppliants. Behind the Temple of Hercules, an altar was raised to Pity.
"They used to immolate victims with flowers around their fingers. Memory was not even troubled by the decay of the dead, for there remained of them only a handful of ashes. The soul, mingled with the boundless ether, ascended to the gods!"
Bending towards Antony's ear:
"And they live for ever! The Emperor Constantine adores Apollo. You will find the Trinity in the mysteries of Samothrace, baptism in the case of Isis, the redemption in that of Mithra, the martyrdom of a god in the feasts of Bacchus. Proserpine is the Virgin; Aristæus, Jesus!"
Antony keeps his eyes cast down; then all at once he repeats the creed of Jerusalem—as he recollects it—emitting, after each phrase, a long sigh:
"'I believe in one only God, the Father;—and in one only Lord, Jesus Christ, first–born son of God, who became incarnate and was made man; who was crucified and buried; who ascended into Heaven; who will come to judge the living and the dead; whose kingdom will have no end;—and in one only Holy Ghost;—and in one only baptism of repentance;—and in one holy Catholic Church;—and in the resurrection of the flesh;—and in the life everlasting!'"
Immediately the cross becomes larger, and, piercing the clouds, it casts a shadow over the heaven of the gods.
They all grow dim. Olympus vanishes.
Antony distinguishes near its base, half lost in the caverns, or supporting the stones on their shoulders, huge bodies chained. These are the Titans, the Giants, the Hecatonchires, and the Cyclops.
A voice rises, indistinct and formidable,—like the murmur of the waves, like the sound heard in woods during a storm, like the roaring of the wind down a precipice:
"We knew it, we of all others! The gods were doomed to die. Uranus was mutilated by Saturn, and Saturn by Jupiter. He will be himself annihilated. Each in its turn. It is destiny!"
And, by degrees, they plunge into the mountain, and disappear.
Meanwhile, the roof of the palace of gold flies away.