A rather lengthened period elapses.
Then a singular being appears, with the head of a man and the body of a fish. He advances straight through the air, tossing the sand with his tail; and his patriarchal face and his little arms make Antony laugh.
Oannes, in a plaintive voice—"Treat me with respect! I am the contemporary of the beginning of things.
"I have dwelt in the shapeless world, where slumbered hermaphrodite animals, under the weight of an opaque atmosphere, in the depths of gloomy waves—when the fingers, the fins, and the wings were confounded, and eyes without heads floated like molluscs amongst human–faced bulls and dog–footed serpents.
"Over the whole of those beings Omoroca, bent like a hoop, stretched her woman's body. But Belus cut her clean in two halves, made the earth with one, and the heavens with another; and the two worlds alike mutually contemplate each other. I, the first consciousness of chaos, I have arisen from the abyss to harden matter, to regulate forms; and I have taught men fishing, the sowing of seed, the scripture, and the history of the gods. Since then, I live in the ponds that remained after the Deluge. But the desert grows larger around them; the wind flings sand into them; the sun consumes them; and I expire on my bed of lemon while gazing across the water at the stars. Thither am I returning."
He makes a plunge and disappears in the Nile.
Hilarion—"This is an ancient god of the Chaldeans!"
Antony, ironically—"Who, then, were the gods of Babylon?"
Hilarion—"You can see them!"
And they find themselves upon the platform of a quadrangular tower rising above other towers, which, growing narrower in proportion as they rise, form a monstrous pyramid. You may distinguish below a great, black mass—the city, without doubt—stretching along the plain. The air is cold; the sky is of a sombre blue; the multitudinous stars palpitate.
In the middle of the platform stands a column of white stone. Priests in linen robes pass and return all round, so as to describe in their evolutions a moving circle, and, with heads raised, they contemplate the stars.
Hilarion points out several of them to Saint Antony:
"There are thirty chief priests. Fifteen gaze upon the region above the earth, and fifteen on the region below it. At regular intervals one of them rushes from the upper regions to the lower, whilst another abandons the lower to mount towards the empyrean.
"Of the seven planets, two are benevolent, two malevolent, and three ambiguous; everything in the world depends on these eternal fires. According to their position and their movements, one may draw prognostications, and you are now treading on the most sacred spot on earth. There Pythagoras and Zoroaster may be met. Two thousand years have these men been observing the sky, the better to comprehend the gods."
Antony—"The stars are not gods!"
Hilarion—"Yes! say they; for, while things are continually passing around us, the sky, like eternity, remains unchangeable!"
Antony—"Nevertheless, it has a master."
Hilarion, pointing at the column—"That is Belus, the first ray, the sun, the male!—the other, which is fruitful, is under him!"
Antony observes a garden lighted up with lamps. He is in the midst of the crowd in an avenue of cypress–trees. To right and left little paths lead towards huts erected in a wood of pomegranate–trees, which protect lattices of reeds. The men, for the most part, have pointed caps with laced robes, like the plumage of peacocks. There are people from the North clad in bearskins; nomads in brown woollen cloaks; pale Gangarides with long ear–rings; and the classes, like the nationalities, appear to be confused, for sailors and stone–cutters jostle against princes wearing tiaras of carbuncles and carrying large walking–sticks with carved heads. All hurry forward with dilated nostrils, filled with the same desire.
From time to time they got out of the way, in order to allow a long, covered chariot, drawn by oxen, to pass, or perhaps it is an ass jolting on his back a woman closely veiled, who also disappears in the direction of the huts.
Antony is frightened. He desires to turn back. However, an inexpressible curiosity leads him on.
Beneath the cypress–trees women are squatted in rows upon deerskins, each of them having for a diadem a plait of cords. Some of them, magnificently attired, address the passers–by in loud tones. The more timid keep their features hidden between their hands, whilst, from behind, a matron—no doubt, their mother—encourages them. Others, with heads enveloped in black shawls, and the rest of their bodies quite nude, seem, at a distance, like statues of flesh. As soon as a man flings money on their knees, they rise. And one can hear kisses amid the foliage, and sometimes a great, bitter cry.
Hilarion—"Those are the virgins of Babylon who prostitute themselves to the goddess."
Antony—"What goddess?"
Hilarion—"There she is!"
And he shows Antony, at the very end of the avenue, on the threshold of an illuminated grotto, a block of stone representing a woman.
Antony—"Infamy! What an abomination to give a sex to God!"
Hilarion—"You conceive Him, surely, as a living person!"
Once more Antony finds himself in darkness.
He perceives in the air a luminous circle placed on horizontal wings. This species of ring surrounds, like a girdle that is too loose, the figure of a small man with a mitre on his head and a crown in his hand, the lower part of whose body is shut out from view by the huge feathers exhibited in his kilt.