Invisible man: читать книгу онлайн полностью и бесплатно

But even as I spoke I knew it was no good. I had no words and no eloquence, and when Ras thundered, "Hang him!" I stood there facing them, and it seemed unreal. I faced them knowing that the madman in a foreign costume was real and yet unreal, knowing that he wanted my life, that he held me responsible for all the nights and days and all the suffering and for all that which I was incapable of controlling, and I no hero, but short and dark with only a certain eloquence and a bottomless capacity for being a fool to mark me from the rest; saw them, recognized them at last as those whom I had failed and of whom I was now, just now, a leader, though leading them, running ahead of them, only in the stripping away of my illusionment.

I looked at Ras on his horse and at their handful of guns and recognized the absurdity of the whole night and of the simple yet confoundingly complex arrangement of hope and desire, fear and hate, that had brought me here still running, and knowing now who I was and where I was and knowing too that I had no longer to run for or from the Jacks and the Emersons and the Bledsoes and Nortons, but only from their confusion, impatience, and refusal to recognize the beautiful absurdity of their American identity and mine. I stood there, knowing that by dying, that by being hanged by Ras on this street in this destructive night I would perhaps move them one fraction of a bloody step closer to a definition of who they were and of what I was and had been. But the definition would have been too narrow; I was invisible, and hanging would not bring me to visibility, even to their eyes, since they wanted my death not for myself alone but for the chase I'd been on all my life; because of the way I'd run, been run, chased, operated, purged -- although to a great extent I could have done nothing else, given their blindness (didn't they tolerate both Rinehart and Bledsoe?) and my invisibility. And that I, a little black man with an assumed name should die because a big black man in his hatred and confusion over the nature of a reality that seemed controlled solely by white men whom I knew to be as blind as he, was just too much, too outrageously absurd. And I knew that it was better to live out one's own absurdity than to die for that of others, whether for Ras's or Jack's.

So when Ras yelled, "Hang him!" I let fly the spear and it was as though for a moment I had surrendered my life and begun to live again, watching it catch him as he turned his head to shout, ripping through both cheeks, and saw the surprised pause of the crowd as Ras wrestled with the spear that locked his jaws. Some of the men raised their guns, but they were too close to shoot and I hit the first with Tarp's leg chain and the other in the middle with my brief case, then ran through a looted store, hearing the blanging of the burglar alarm as I scrambled over scattered shoes, upturned showcases, chairs -- back to where I saw the moonlight through the rear door ahead. They came behind me like a draft of flames and I led them through and around to the avenue, and if they'd fired they could have had me, but it was important to them that they hang me, lynch me even, since that was the way they ran, had been taught to run. I should die by hanging alone, as though only hanging would settle things, even the score. So I ran expecting death between the shoulder blades or through the back of my head, and as I ran I was trying to get to Mary's. It was not a decision of thought but something I realized suddenly while running over puddles of milk in the black street, stopping to swing the heavy brief case and the leg chain, slipping and sliding out of their hands.

If only I could turn around and drop my arms and say, "Look, men, give me a break, we're all black folks together ... Nobody cares." Though now I knew we cared, they at last cared enough to act -- so I thought. If only I could say, "Look, they've played a trick on us, the same old trick with new variations -- let's stop running and respect and love one another ..." If only -- I thought, running into another crowd now and thinking I'd gotten away, only to catch a punch on my jaw as one closed in shouting, and feeling the leg chain bounce as I caught his head and spurted forward, turning out of the avenue only to be struck by a spray of water that seemed to descend from above. It was a main that had burst, throwing a fierce curtain of spray into the night. I was going for Mary's but I was moving downtown through the dripping street rather than up, and, as I started through, a mounted policeman charged through the spray, the horse black and dripping, charging through and looming huge and unreal, neighing and clopping across the pavement upon me now as I slipped to my knees and saw the huge pulsing bulk floating down upon and over me, the sound of hooves and screams and a rush of water coming through distantly as though I sat remote in a padded room, then over, almost past, the hair of the tail a fiery lash across my eyes. I stumbled about in circles, blindly swinging the brief case, the image of a fiery comet's tail burning my smarting lids; turning and swinging blindly with brief case and leg chain and hearing the gallop begin as I floundered helplessly; and now moving straight into the full, naked force of the water, feeling its power like a blow, wet and thudding and cold, then through it and able partly to see just as another horse dashed up and through, a hunter taking a barrier, the rider slanting backward, the horse rising, then hit and swallowed by the rising spray. I stumbled down the street, the comet tail in my eyes, seeing a little better now and looking back to see the water spraying like a mad geyser in the moonlight. To Mary, I thought, to Mary.

THERE were rows of iron fences backed by low hedges before the houses and I stumbled behind them and lay panting to rest from the crushing force of the water. But hardly had I settled down, the dry, dog-day smell of the hedge in my nose, when they stopped before the house, leaning upon the fence. They were passing a bottle around and their voices sounded spent of strong emotion.

"This is some night," one of them said. "Ain't this some night?"

"It's 'bout like the rest."

"Why you say that?"

" 'Cause it's fulla fucking and fighting and drinking and lying -- gimme that bottle."

"Yeah, but tonight I seen some things I never seen before."

"You think you seen something? Hell, you ought to been over on Lenox about two hours ago. You know that stud Ras the Destroyer? Well, man, he was spitting blood."

"That crazy guy?"

"Hell, yes, man, he had him a big black hoss and a fur cap and some kind of old lion skin or something over his shoulders and he was raising hell. Goddam if he wasn't a sight, riding up and down on this ole hoss, you know, one of the kind that pulls vegetable wagons, and he got him a cowboy saddle and some big spurs."

"Aw naw, man!"

"Hell, yes! Riding up and down the block yelling, 'Destroy 'em! Drive 'em out! Burn 'em out! I, Ras, commands you.' You get that, man," he said, " 'I, Ras, commands you -- to destroy them to the last piece of rotten fish!' And 'bout that time some joker with a big ole Georgia voice sticks his head out the window and yells, 'Ride 'em, cowboy. Give 'em hell and bananas.' And man, that crazy sonofabitch up there on that hoss looking like death eating a sandwich, he reaches down and comes up with a forty-five and starts blazing up at that window -- And man, talk about cutting out! In a second wasn't nobody left but ole Ras up there on that hoss with that lion skin stretched straight out behind him. Crazy, man. Everybody else trying to git some loot and him and his boys out for blood!"

I lay like a man rescued from drowning, listening, still not sure I was alive.

"I was over there," another voice said. "You see him when the mounted police got after his ass?"

"Hell, naw ... Here, take a li'l taste."

"Well that's when you shoulda seen him. When he seen them cops riding up he reached back of his saddle and come up with some kind of old shield."

"A shield?"

"Hell, yes! One with a spike in the middle of it. And that ain't all; when he sees the cops he calls to one of his goddam henchmens to hand him up a spear, and a little short guy run out into the street and give him one. You know, one of the kind you see them African guys carrying in the moving pictures ..."

"Where the hell was you, man?"

"Me? I'm over on the side where some stud done broke in a store and is selling cold beer out the window -- Done gone into business, man," the voice laughed. "I was drinking me some Budweiser and digging the doings -- when here comes the cops up the street, riding like cowboys, man; and when ole Ras-the-what's-his-name sees 'em he lets out a roar like a lion and rears way back and starts shooting spurs into that boss's ass fast as nickels falling in the subway at going-home time -- and gaawd-dam! that's when you ought to seen him! Say, gimme a taste there, fella.

"Thanks. Here he comes bookety-bookety with that spear stuck out in front of him and that shield on his arm, charging, man. And he's yelling something in African or West Indian or something and he's got his head down low like he knew about that shit too, man; riding like Earle Sande in the fifth at Jamaica. That ole black hoss let out a whinny and got his head down -- I don't know where he got that sonofabitch -- but, gentlemens, I swear! When he felt that steel in his high behind he came on like Man o' War going to get his ashes hauled! Before the cops knowed what hit 'em Ras is right in the middle of 'em and one cop grabbed for that spear, and ole Ras swung 'round and bust him across the head and the cop goes down and his hoss rears up, and ole Ras tries his and tries to spear him another cop, and the other hosses is plunging around and ole Ras tries to spear him still another cop, only he's too close and the hoss is pooling and snorting and pissing and shitting, and they swings around and the cop is swinging his pistol and every time he swings ole Ras throws up his shield with one arm and chops at him with the spear with the other, and man, you could hear that gun striking that ole shield like somebody dropping tire irons out a twelve-story window. And you know what, when ole Ras saw he was too close to spear him a cop he wheeled that hoss around and rode off a bit and did him a quick round-about face and charged 'em again -- out for blood, man! Only this time the cops got tired of that bullshit and one of 'em started shooting. And that was the lick! Ole Ras didn't have time to git his gun so he let fly with that spear and you could hear him grunt and say something 'bout that cop's kin-folks and then him and that hoss shot up the street leaping like Heigho, the goddam Silver!"

"Man, where'd you come from?"

"It's the truth, man, here's my right hand."

They were laughing outside the hedge and leaving and I lay in a cramp, wanting to laugh and yet knowing that Ras was not funny, or not only funny, but dangerous as well, wrong but justified, crazy and yet coldly sane ... Why did they make it seem funny, only funny? I thought. And yet knowing that it was. It was funny and dangerous and sad. Jack had seen it, or had stumbled upon it and used it to prepare a sacrifice. And I had been used as a tool. My grandfather had been wrong about yessing them to death and destruction or else things had changed too much since his day.

There was only one way to destroy them. I got up from behind the hedge in the waning moon, wet and shaken in the hot air and started out looking for Jack, still turned around in my direction. I moved into the street, listening to the distant sounds of the riot and seeing in my mind the image of two eyes in the bottom of a shattered glass.

I kept to the darker side of streets and to the silent areas, thinking that if he wished really to hide his strategy he'd appear in the district, with a sound truck perhaps, playing the friendly adviser with Wrestrum and Tobitt beside him.

They were in civilian clothes, and I thought, Cops -- until I saw the baseball bat and started to turn, hearing, "Hey, you!"